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曼荼羅 β
= 平行世界の一枚絵 =

物理学の分野では、量子のもつれにより多数の世界が平行的に存在しているという多世界解釈(パラレルワールド論)や、宇宙は多数あるというマルチバース論、この世は11次元で構成されているという仮説を元に展開される超弦理論など、現世界とは違う世界や宇宙、次元が平行的に存在しているという説を多く目にします。

視点を自分自身のいる現実に移してみても、数ある可能性とその後に続く世界は平行的に多数存在しており、それらを選択することで、私たちはいくつもの平行世界を横断しながら生きているわけです。選択を変えること、または解釈を変えることで世界は変わる、逆に考えれば、私たちもまた、解釈や可能性の数だけ平行的に複数存在しているとも言えます。
エントロピーの法則から出ることができない私たちは、過去→現在→未来へという方向でしか進むことができませんが、その時間軸より高次の次元があるとすれば、過去も現在も未来も同じ地平の上に存在しているはずで、実は平行的に存在するすべての世界、宇宙、次元もすべて、一つの一枚絵なのかもしれません。

そのような宇宙観を究極の一枚絵である「曼荼羅」の概念を借りてイメージ化を試みました。

人間が認識できる数字がついた平行世界とともに、知覚できない世界もきっと多く存在しているだろうというロマンが、この作品を光り輝くものにしました。そこは別次元、または別宇宙かもしれませんし、涅槃のような悟りの世界、安らぎの世界かもしれません。それは煩悩と涅槃はまったく同一であるという龍樹(ナーガールジュナ)の言葉が表す通り、すべての平行世界は深層でつながり、一枚絵のように同一のものとして存在しているのでしょう。

MANDALA-Beta 001

MANDALA-Beta 001

Yosuke Komuro

SOLD OUT

More Details

アクリル、ホログラム

Acrylic, Hologram

証明書Certificate of Authenticity
タグボート発行証明書ありExist
サインSignature
あり Yes
EDITION
オリジナルunique piece
制作年Year of Creation
2016年
サイズSize
85x 46.5 x4cm
作品の状態Condition
良好good
額仕様Frame Specification
なしnothing
額寸Frame Size
x x cm
納品期間Shipping Time
約3週間3-4weeks
特記事項Notices
※額装費は合わせ箱代になります。
作品IDItem ID
54922

Profile

2017
ARTBRIDGE FAIR入選作品展 [東京]
TAGBOATアワード入選作品展 [東京]
INDEPENDENT台北アートフェア [台北・台湾]
UNKNOWN ASIA 大阪 2017(リビュワー賞受賞) [大阪]

2018
TAGBOATアワード入選作品展 [東京]
個展「427展」 [東京]
GALLERY ART POINT大賞展 KIZUNA 2018 [東京]
ART FAIR ASIA福岡 [福岡]
UNKNOWN ASIA 大阪 2017(リビュワー賞受賞) [大阪]
Galley fu「gift+The Green Box」展 [横浜]

2019
rooms EXPERIENCE [東京]
London - Kyoto FAPDA Award 2019 [京都]
ART POINT in Paris 2019 [フランス・パリ]
East-West Artists Exchange Exhibition ​in London 2019 [英国・ロンドン]
Independent TOKYO 2019 [東京]
GALLERY ART POINT大賞展 KIZUNA 2019 [東京]
中之島ダイビル10周年記念オブジェ作成 [大阪]
Galley fu「gift+The Green Box」展 [横浜]
アート解放区代官山 [東京]

Profile

Born in Tokyo, 1978, Yosuke started to draw since his early childhood. Influenced by the work of Osamu Tezuka and Akira Toriyama, Yosuke decided to become a manga artist when he was seven (7). At the age 14, his own manga work was well received by a publisher, which made him desire to work with an editor from the publisher, and to professionally publish his work. However, his art teacher gave Yosuke his work book, which inspired him tremendously, and made him interested in drawing materials beyond manga. He started drawing acrylic paintings. His became interested in art in various fields including paintings and designs, which made him decide to learn industrial design, art and graphic design. After studying in the US, he started working for an advertisement production agency as a graphic designer, and then decided to go freelance in 2010. Meanwhile, Yosuke was always a type of child who would prefer to spend his time alone, enjoying sceneries and lights in nature to stay within a crowd. Presently, Yosuke’s areas of interests expanded into various fields, including the universe in cosmic space, the inception of a world itself, physics, natural science, history, and religion. In studying those subjects himself, Yosuke began to acquire his own interpretations on these topics, and developed his desires to express something substantive in the society, in which he was naturally led to use his drawing and creativity as a tool for his expressions.

Having realized that, in pursuing the essence of matter, a truth takes a form of very simple structure, he continues to produce his work by refining various elements to the ultimate minimum, and pursue the simplicity and clarity in his style of expression. Therefore, the characteristics of his work are simple yet while encompassing elements that are concrete and logical. He has a sensitive vision and hearing, dislikes the complexity and noisiness, and prefers a coherent cleanliness and silence, which contribute to his minimalistic work.

Overall, his technique and sensibility were born by growing up in Tokyo, with the influence of Western culture and familiarity with various creations including manga. Also his life in the US and journeys throughout various countries added another layer to his work. However, he is based in Japan, which made him realized that the degree of influence from Eastern culture including the Buddhism that underlies deeply and affinity to sensitivity are inevitable. This hybridization of the East and West is present in his work without doubt.

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